E.M. Shastina*, G.A. Frolov**
Kazan Federal University, Kazan, 420008 Russia
E-mail: *shastina@rambler.ru, **Georgiy.Frolov@kpfu.ru
Received December 24, 2017
Full text PDF
Abstract
The purpose of the paper is to follow the reception of F. Kafka's “The Castle” in contemporary Austrian literature based on the following novels: “The Peaches Killers” (“Die Pfirsichtöter”, 1972) by Alfred Kolleritsch, “Among the Bieresch“ (“Bei den Bieresch”, 1979) by Klaus Hoffer, and “Into the Castle” (“Ins Schloss”, 2004) by Marianne Gruber. The attention has been focused on the writers, whose creative manner reflects the tendencies in contemporary Western European literary process – from avant-gardism (A. Kolleritsch) to postmodernism (K. Hoffer, M. Gruber). The intertextual links between the works under the consideration and F. Kafka's novel have been established. The “Kafkaesque discourse” suggests that there exist direct and inverse links between the author and the reader, the extra-textual tradition and reality. The comparative methodology has been used to reveal the mechanism of reception of the “Kafkaesque discourse” in contemporary Austrian literature, as well as to draw conclusions about the ways the authors treat ontological questions. Particular emphasis has been placed on the narrative strategies of Austrian literary avant-gardism, postmodern discourse of the second half of the 20th and the beginning of the 21st centuries, typological similarity of the analyzed novels, which seems productive for understanding of the influence of literature during the period of modernism on the emergence of a postmodern paradigm in the German-speaking literary space.
Keywords: Franz Kafka's “The Castle”, Alfred Kolleritsch, Marianne Gruber, Klaus Hoffer, Austrian avant-gardism, postmodernism, Kafkaesque discourse, postmodern discourse
References
- Sedel'nik V.D. Franz Kafka. In: Istoriya avstriiskoi literatury XX veka [History of Austrian Literature of the 20th Century]. Vol. 1. Moscow: IMLI im. A.M. Gor'kogo Ross. Akad. Nauk, 2009, pp. 280–309. (In Russian)
- Eco U. Otkrytoe proizvedenie: Forma i neopredelennost' v sovremennoi poetike [The Open Work: The Form and Uncertainty in Contemporary Poetics]. St. Petersburg, Akad. Proekt, 2004. 384 p. (In Russian)
- Frolov G.A., Shastina E.M. Modernism – postmodernism – neo-modernism (Narrative strategies in German-language novel of the 21st century). Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki, 2016, vol. 158, no. 4, pp. 1098–1108. (In Russian)
- Belobratov A.V. Which road leads to the “Castle”. In: Kafka F. Zamok [Kafka F. The Castle]. St. Petersburg, Azbuka-Klassika, 2007, pp. 470–476. (In Russian)
- Gladilin N.V. Posmodernism in the literature of German-speaking countries: Genesis and main trends of development. Extended Abstract of Doct. Philol. Sci. Diss. Moscow, 2012. 36 p. (In Russian)
- Baskakova T. About culinary art, peaches killers, and “untruth of truths”. Inostrannaya Literatura, 2004, no. 7. Available at: http://magazines.russ.ru/inostran/2004/7/baskak-pr.html. (In Russian)
- Shastina E.M, Frolov G.A. “Seismographic” novel by Alfred Kolleritsch in the context of Austrian literature of the second half of the 20th century. Vestn. Chelyab. Gos. Pedagog. Univ., 2017, no. 8, pp. 189–194. (In Russian)
- Gruber M. The invention of the new world. In: M. Gruber. Zamok [The Castle]. St. Petersburg: Simpozium, 2004, pp. 327–348. (In Russian)
- “Our journal is a union of idealists”. Inostrannaya Literatura, 2005, no. 3. Available at: http://magazines.russ.ru/inostran/2005/3/zh12-pr.html#_ftnref1. (In Russian)
- Mikhailov A.V. Izbrannoe: Fenomenologiya avstriiskoi kul'tury [Selected Works: Phenomenology of Austrian Culture]. Moscow, St. Petersburg, Univ. Kniga, 2009. 392 p. (In Russian)
- Plakhina A.V., Sedel'nik V.D. Introduction. Post-war syndrome: Literature in search for Austrian identity. In: Istoriya avstriiskoi literatury XX veka [History of Austrian Literature of the 20th Century]. Vol. 2. Moscow, IMLI im. A.M. Gor'kogo Ross. Akad. Nauk, 2010, pp. 3–17. (In Russian)
- Brodsky J. Katastrofy v vozdukhe [Catastrophes in the Air]. Vol. 5. St. Petersburg, Pushk. Fond, 2001, pp. 188–214. (In Russian)
- Erokhin V.A. Austrian prose of the 1950s–1970s. In: Istoriya avstriiskoi literatury XX veka [History of Austrian Literature of the 20th Century]. Vol. 2. Moscow, IMLI im. A.M. Gor'kogo Ross. Akad. Nauk, 2010, pp. 18–45. (In Russian)
- Alfred Kolleritsch. Bartsch K., Melzer G. (Hrsg.). Available at: http://www.planetlyrik.de/kurt-bartsch-und-gerhard-melzer-hrsg-alfred-kolleritsch/2016/06/. (In German)
- Brod M. Afterword to the first edition of the novel. Available at: http://www.kafka.ru/kritika/read/ poslesloviya-i-primechaniya. (In Russian)
- Hoffer K. Methoden der Verwirrung. Betrachtungen zum Phantastischen bei Franz Kafka. Wien, Graz, 1986. 152 S. (In German)
- Frolov G.A. The novel of postmodernism in Germany. Filologicheskie Nauki, 1999, no. 1, pp. 71–80. (In Russian)
- Ortheil H.-J. Was ist postmoderne Literatur. In: Wittstock U. (Hrsg.) Roman oder Leben. Postmoderne in der deutschen Literatur. Leipzig, Reclam, 1994, S. 125–135. (In German)
- Beckermann T. Das Labyrinth der Erklärungen: Klaus Hoffers “Bei den Bieresch”. The German Quarterly, 1990, vol. 63, no. 3/4, pp. 429–436. (In German)
- Gladilin N.V. Waiting for the reader to come (“Among the Bieresch” by K. Hoffer as a postmodern labyrinth). Voprosy Filologii, 2010, no. 2, pp. 111–121. (In Russian)
- Eco U. Shest' progulok v literaturnykh lesakh [Six Walks in the Fictional Woods]. St. Petersburg, Simpozium, 2014. 285 p. (In Russian)
- Kachorovskaya A.E. A new hero and new reader in the novel “Into the Castle” by Marianna Gruber. Izvestiya Ross. Gos. Pedagog. Univ. im. A.I. Gertsena, 2010, no. 123, pp. 130–134. (In Russian)
For citation: Shastina E.M., Frolov G.A. Franz Kafka's “The Castle”: Postmodern discourse in contemporary Austrian literature. Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki, 2018, vol. 160, no. 1, pp. 241–251. (In Russian)
The content is available under the license Creative Commons Attribution 4.0 License.