LATIF HAMIDI AND THE TATAR PHENOMENON IN KAZAKH MUSICAL CULTURE
Umitzhan Dzhumakova,
Kazakh National University of Arts,
50 Tauelsizdik Str., Astana, 010000, Kazakhstan,
dzhumit@rambler.ru.
This article deals with the creative work of the Tatar composer Latif Hamidi, his role in the development of Kazakhstan's composition school and the formation of new musical genres in the framework of the European musical tradition. Various examples of L. Hamidi’s creative work and his musical heritage show a close connection between the composer and his native culture, Tatar images and themes. At the same time, such important phenomena of Latif Hamidi’s work as the Kazakh intonation that pervades his works, as well as the music, based on co-authorship, present the experience of the interpretation of the Kazakh culture by representatives of other national cultures at a formative stage of new musical art centers.
Key words: Kazakh composition school, Kazakh music, co-authorship, Kazakh intonation, intertextuality.
