Form of presentation | Articles in international journals and collections |
Year of publication | 2014 |
Язык | русский |
|
Batyrshina Gulnara Ibragimovna, author
Safiullina Liliya Garifullovna, author
|
Bibliographic description in the original language |
Safiullina L.G., Batyrshina G.I. Musical images as a reflection of the artistic universalism of Marc Shagall // Terra Sebus: Acta Musei Sabesiensis. - 2014. - Special Issue. - P. 67-104. Scopus |
Annotation |
Music is the most important philosophical and aesthetic category in the artistic consciousness of Marc Chagall. Musical images in his work relate to intrinsic concepts such as love, life, inspiration, comfort, harmony and beauty. They connect the artist with his past, his ethnic roots and, at the same time, with world artistic experience, forming the basis of his understanding of religion, history and culture. In the works of Chagall, music takes on a ceremonial and ritual significance; it accompanies major events in the life of individuals and society, and en courages a spiritual quest.
Images of musical instruments and musicians abound in Chagall?s drawings, paintings and stained glass panels. They reflect the artist?s polymodal thinking, allowing his visual works to restore a complete picture of the world, of which an integral part is sound. The most common elements in Chagall?s musical iconography are violins floating in the air, cellos, humans, the biblical kings David and Solomo |
Keywords |
artistic universalism, Marc Chagall, fine art, musical iconography,klezmer music |
The name of the journal |
Terra Sebus
|
URL |
http://cclbsebes.ro/docs/Sebus_SI_2014/06_LGSafiullina_GIBatyrshina.pdf |
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=99217&p_lang=2 |
Resource files | |
|
Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Batyrshina Gulnara Ibragimovna |
ru_RU |
dc.contributor.author |
Safiullina Liliya Garifullovna |
ru_RU |
dc.date.accessioned |
2014-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2014-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2014 |
ru_RU |
dc.identifier.citation |
Safiullina L.G., Batyrshina G.I. Musical images as a reflection of the artistic universalism of Marc Сhagall // Terra Sebus: Acta Musei Sabesiensis. - 2014. - Special Issue. - P. 67-104. Scopus |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=99217&p_lang=2 |
ru_RU |
dc.description.abstract |
Terra Sebus |
ru_RU |
dc.description.abstract |
Music is the most important philosophical and aesthetic category in the artistic consciousness of Marc Chagall. Musical images in his work relate to intrinsic concepts such as love, life, inspiration, comfort, harmony and beauty. They connect the artist with his past, his ethnic roots and, at the same time, with world artistic experience, forming the basis of his understanding of religion, history and culture. In the works of Chagall, music takes on a ceremonial and ritual significance; it accompanies major events in the life of individuals and society, and en courages a spiritual quest.
Images of musical instruments and musicians abound in Chagall?s drawings, paintings and stained glass panels. They reflect the artist?s polymodal thinking, allowing his visual works to restore a complete picture of the world, of which an integral part is sound. The most common elements in Chagall?s musical iconography are violins floating in the air, cellos, humans, the biblical kings David and Solomo |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
artistic universalism |
ru_RU |
dc.subject |
Marc Chagall |
ru_RU |
dc.subject |
fine art |
ru_RU |
dc.subject |
musical iconography |
ru_RU |
dc.subject |
klezmer music |
ru_RU |
dc.title |
Safiullina L.G., Batyrshina G.I. Musical images as a reflection of the artistic universalism of Marc Сhagall // Terra Sebus: Acta Musei Sabesiensis. - Special Issue. 2014. - P. 67-104. |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|