KFU. Card publication. Tatar traditional spiritual musical culture: legacy, preservation, and change

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FEDERAL UNIVERSITY

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TATAR TRADITIONAL SPIRITUAL MUSICAL CULTURE: LEGACY, PRESERVATION, AND CHANGE

Form of presentation

Articles in international journals and collections

Year of publication

2025

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Authors, employees of KFU

Khurmatullina Rezeda Kamilevna, author

Bibliographic description in the original language

R. Khurmatullina Tatar traditional spiritual musical culture: legacy, preservation, and change // Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, pages 77-84

Annotation

Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, 406

Keywords

transformation, innovation, Tatar traditional music, spiritual culture, munajat, Maulid Bayram

The name of the journal

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=322755&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Khurmatullina Rezeda Kamilevna	ru_RU
dc.date.accessioned	2025-01-01T00:00:00Z	ru_RU
dc.date.available	2025-01-01T00:00:00Z	ru_RU
dc.date.issued	2025	ru_RU
dc.identifier.citation	R. Khurmatullina Tatar traditional spiritual musical culture: legacy, preservation, and change // Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, pages 77-84	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=322755&p_lang=2	ru_RU
dc.description.abstract	Proceedings of Echoes of Heritage: Navigating the Legacy of Music and Dance Joint Symposium of the ICTMD Study Groups on Music and Dance in the Turkic World and Global History of Music 18–22 September 2024, Baku, Azerbaijan, 406	ru_RU
dc.description.abstract	Among the most ancient genres of Tatar folklore, a special place is occupied by munajat, whose purpose was to form deep religious feelings for the canons of Islam. Munajat began to spread among the Tatar people from the 10th-11th centuries, when Islam became the only state religion in Volga Bulgaria. The performance of munajats among the Tatars of the Volga region today is a living tradition that corresponds to such parameters as traditionality, variability, orality, locality, inclusiveness and syncretism. Variability is manifested in the fact that the same tune sounds differently for each performer. The tradition of performing munajat is typically oral, hence the variability and peculiarities. The sign of locality is found in the regional tradition, which islimited by certain boundaries, has its own set of tunes, its own ethnographic features. At the same time, inclusivity as involvement in the process meant inseparability, the absence of barriers between the performer and the listener, and syncretism was expressed in the connection between words, music and action.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	transformation	ru_RU
dc.subject	innovation	ru_RU
dc.subject	Tatar traditional music	ru_RU
dc.subject	spiritual culture	ru_RU
dc.subject	munajat	ru_RU
dc.subject	Maulid Bayram	ru_RU
dc.title	Tatar traditional spiritual musical culture: legacy, preservation, and change	ru_RU
dc.type	Articles in international journals and collections	ru_RU