KFU. Card publication. Рецепция Ф.М. Достоевского в татарской культуре

KAZAN
FEDERAL UNIVERSITY

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РЕЦЕПЦИЯ Ф.М. ДОСТОЕВСКОГО В ТАТАРСКОЙ КУЛЬТУРЕ

Form of presentation

Conference proceedings in Russian journals and collections

Year of publication

2022

Язык

русский

Authors, employees of KFU

Khabutdinova Mileusha Mukhametzyanovna, author

Bibliographic description in the original language

Khabutdinova M.M. Recepciya F.M. Dostoevskogo v tatarskoy kulture / M.M. Khabutdinova // Materialy Mezhdunarodnoy nauchnoy konferencii «Nasledie F.M. Dostoevskogo v nacionalnykh kulturakh», posvyashhennoy 200-letiyu so dnya rozhdeniya F. M. Dostoevskogo. Turciya. Kars 5-7 yanvarya 2022. Ekim 2022 ANKARA S.41-46

Annotation

Материалы Международной научной конференции «Наследие Ф.М. Достоевского в национальных культурах», посвященной 200-летию со дня рождения Ф. М. Достоевского.

Keywords

Russian-Tatar literary interrelations, Fyodor Dostoevsky, Ayaz Gilyazov, writer's library, reception of creativity

The name of the journal

URL

https://russkiymir.ru/grants/docs/Dostoevskii-Turciya-tom1.pdf?ysclid=ld9prrkpv2512526675

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=275731&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Khabutdinova Mileusha Mukhametzyanovna	ru_RU
dc.date.accessioned	2022-01-01T00:00:00Z	ru_RU
dc.date.available	2022-01-01T00:00:00Z	ru_RU
dc.date.issued	2022	ru_RU
dc.identifier.citation	Хабутдинова М.М. Рецепция Ф.М. Достоевского в татарской культуре / М.М. Хабутдинова // Материалы Международной научной конференции «Наследие Ф.М. Достоевского в национальных культурах», посвященной 200-летию со дня рождения Ф. М. Достоевского. Турция. Карс 5-7 января 2022. Ekim 2022 ANKARA С.41-46	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=275731&p_lang=2	ru_RU
dc.description.abstract	Материалы Международной научной конференции «Наследие Ф.М. Достоевского в национальных культурах», посвященной 200-летию со дня рождения Ф. М. Достоевского.	ru_RU
dc.description.abstract	The purpose of the work is to study the features of the Fyodor Dostoevsky's heritage reception in Tatar culture. The article systematizes the material on the following topics: «Dostoevsky and Kazan«, «Dostoevsky and Tatar literature«. We used the works of the Tatar writer A.M. Gilyazov, performances of the Menzelinsk State Tatar Drama Theater named after S. Amutbayev («Uncle's Dream« (directed by R. Ayupov, 2016), «Crime and Punishment« (directed by I. Kazakbayev, 2021) as material for our study. The main research methods are comparative and hermeneutic ones. Ayaz Gilyazov got acquainted with the work of the Russian writer during his studies at Kazan University. The epistolary legacy of A.M. Gilyazov, his diaries and artistic works testify to the steady interest of the Tatar writer in the work of F.M. Dostoevsky. Artistic reception of Ayaz Gilyazov is carried out in several directions: writing-reading, intertextuality, stylistic reception. In 2016, Menzelinsk State Tatar Drama Theater named after S. Amutbayev staged the play «Uncle's Dream« («Abzyynin toshe«) (directed by Rinat Ayupov). The Tatar Theater turned for the first time to the work of the great Russian writer. The dramatization of M. Knebel and P. Markov was translated into Tatar by A. Gafurov. R. Ayupov made adjustments to the plot of the dramatization. The ideological and artistic potential of the story is transmitted without change. This is a play about the impermanence of being and makes tragicomedy in it's genre. R. Ayupov in his production brilliantly realized the traditions of carnival culture, puppet theater, vaudeville. The play uses such comic techniques as a lot of events catching up with each other, tense dialogues; drama is achieved through the compactness of action in time and space. In the performance of R. Ayupov, the principle of the pairing of the grooms debunking and the pairing of the key characters is preserved, the motif of sleep is being developed. In 2021, I. Kazakbayev staged the play «Crime and Punishment« in the same theater. The scenography is based on a parallel with modernity (the theme of the «little man« in Aleksandr Solzhenitsyn's story «One Day in the Life of Ivan Denisovich«). The director reflects on the potential of the «little man«, that harsh reality can destroy a person's soul. The theory of R. Raskolnikov in the play is measured by a «child's tear«. Adjustments have been made to the character system: Superman, Pioneer-Boy, Pioneer-Girl, Ghost have been added. In the dramatization of I. Kazakbayev, the game element dominates. The theme of the card game is focused on deepening the tragic meanings of the eternal life game in which the characters are involved. The game behavior of the characters is based on the antithesis of behavior and idea. The play of the «extraordinary man« in the performance acts as a projection of the future.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Russian-Tatar literary interrelations	ru_RU
dc.subject	Fyodor Dostoevsky	ru_RU
dc.subject	Ayaz Gilyazov	ru_RU
dc.subject	writer's library	ru_RU
dc.subject	reception of creativity	ru_RU
dc.title	Рецепция Ф.М. Достоевского в татарской культуре	ru_RU
dc.type	Conference proceedings in Russian journals and collections	ru_RU