KFU. Card publication. The artistic representation of the motive of silence in the Novel February Shadows by Elisabeth Reichart (A linguistic-cognitive aspect)

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THE ARTISTIC REPRESENTATION OF THE MOTIVE OF SILENCE IN THE NOVEL FEBRUARY SHADOWS BY ELISABETH REICHART (A LINGUISTIC-COGNITIVE ASPECT)

Form of presentation

Articles in international journals and collections

Year of publication

2020

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Authors, employees of KFU

Kazakova Yuliya Konstantinovna, author

Shastina Elena Mikhaylovna, author

Bibliographic description in the original language

Shastina E.M, Kazakova J.K., The artistic representation of the motive of silence in the Novel February Shadows by Elisabeth Reichart (A linguistic-cognitive aspect)//Talent Development and Excellence. - 2020. - Vol.12, Is.SpecialIssue3. - P.954-963.

Annotation

The article studies the novel of the modern Austrian writer Elizabeth Reichart (born in 1953) February Shadows(Februarschatten, 1984), devoted to the events of 1945thatbecame known in history under the title “MühlviertelHare Hunt”, from the standpoint of cognitive poetics, which allows identifying the means of creating the artistic world and the author's individual style. The question is raised about the relationship between the literary category “motive” and linguo-cognitive formations –concepts that are most closely related to the motive of silence. The relevance of the article lies in the fact that it was written in line with cognitive poetics; this approach allows identifying the specifics of the functioning of the motive of silence in the literary text, revealing the identity of the author's attitude and individual style. The authors of the article proceed from the fact that the motive of silence is presented in the novel under study by various concepts. Silence as acommunicative-behavioural strategy of the characters is correlated with such concepts as “loneliness”, “guilt”, “prohibition”, “oblivion”, “protest”, etc., ontological silence and/or silence is the essence of the Austrian mentality of the second half of the twentieth century. The main means of verbal explication of these concepts that contribute to the implementation of the motive of silence in the novel by Reichart have been revealed

Keywords

Austrian literature, Elizabeth Reichart, motive, silence, cognitive poetics, concept.

The name of the journal

Talent Development and Excellence

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85084638862&partnerID=40&md5=5446446ed5d762f77e36ac1257027137

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=232982&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Kazakova Yuliya Konstantinovna	ru_RU
dc.contributor.author	Shastina Elena Mikhaylovna	ru_RU
dc.date.accessioned	2020-01-01T00:00:00Z	ru_RU
dc.date.available	2020-01-01T00:00:00Z	ru_RU
dc.date.issued	2020	ru_RU
dc.identifier.citation	Shastina E.M, Kazakova J.K., The artistic representation of the motive of silence in the Novel February Shadows by Elisabeth Reichart (A linguistic-cognitive aspect)//Talent Development and Excellence. - 2020. - Vol.12, Is.SpecialIssue3. - P.954-963.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=232982&p_lang=2	ru_RU
dc.description.abstract	Talent Development and Excellence	ru_RU
dc.description.abstract	The article studies the novel of the modern Austrian writer Elizabeth Reichart (born in 1953) February Shadows(Februarschatten, 1984), devoted to the events of 1945thatbecame known in history under the title “MühlviertelHare Hunt”, from the standpoint of cognitive poetics, which allows identifying the means of creating the artistic world and the author's individual style. The question is raised about the relationship between the literary category “motive” and linguo-cognitive formations –concepts that are most closely related to the motive of silence. The relevance of the article lies in the fact that it was written in line with cognitive poetics; this approach allows identifying the specifics of the functioning of the motive of silence in the literary text, revealing the identity of the author's attitude and individual style. The authors of the article proceed from the fact that the motive of silence is presented in the novel under study by various concepts. Silence as acommunicative-behavioural strategy of the characters is correlated with such concepts as “loneliness”, “guilt”, “prohibition”, “oblivion”, “protest”, etc., ontological silence and/or silence is the essence of the Austrian mentality of the second half of the twentieth century. The main means of verbal explication of these concepts that contribute to the implementation of the motive of silence in the novel by Reichart have been revealed	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Austrian literature	ru_RU
dc.subject	Elizabeth Reichart	ru_RU
dc.subject	motive	ru_RU
dc.subject	silence	ru_RU
dc.subject	cognitive poetics	ru_RU
dc.subject	concept.	ru_RU
dc.title	The artistic representation of the motive of silence in the Novel February Shadows by Elisabeth Reichart (A linguistic-cognitive aspect)	ru_RU
dc.type	Articles in international journals and collections	ru_RU