KFU. Card publication. SPECIFICITY OF NATIONAL VISION IN COSTUME

KAZAN
FEDERAL UNIVERSITY

- RUS
- 中文
- ES

SPECIFICITY OF NATIONAL VISION IN COSTUME

Form of presentation

Articles in international journals and collections

Year of publication

2019

Язык

английский

Authors, employees of KFU

Emanova Yuliana Gennadevna, author

Rauzeev Iskander Zinnurovich, author

Yao Mikhail Konstantinovich, author

Bibliographic description in the original language

Galeeva Zukhra N., Yao Michail K., Emanova Juliana G., SPECIFICITY OF NATIONAL VISION IN COSTUME//TURISMO-ESTUDOS E PRATICAS. - 2019. - №01.- Vol.8, Is.. - pp. 1-7.- URL:http://natal.uern.br/periodicos/index.php/RTEP/issue/view/17

Annotation

Artistic vision in this article is understood as a means of interpretation through a visual artistic image of a picture of the world, such as culture, mentality. Artistic vision and national costume are closely related concepts. The costume opened the door to the world of aesthetics that existed in a national form. The first images of childhood laid the primary aesthetics of consciousness. The organic correlation of all the elements of the costume fundamentally laid down the idea of harmony, coordination of all elements, as the main aesthetic value. This way formed the logic of aesthetics, i.e. formed a natural taste. The analysis uses the national costume as it was formed by the beginning of the XX century. In this article, we will consider the problem of national artistic vision through a comparative analysis of expressive means in costume, of the territorially neighboring peoples of Russia - the Chuvashs and Tatars. The costume, like other household items, such as furniture, dishes, textiles, has a dual nature - utilitarian and aesthetic. The utilitarian side of the item is related to the climatic conditions of the country where the costume was used. The aesthetic ideal reflected the idea of the «ideal man« in different eras, his inner essence and appearance. The problem of artistic vision in the visual arts is associated with such aspects of art criticism as visual perception, aesthetic perception, artistic thinking, the language of the visual arts, the artistic image in the visual arts, and national art.

Keywords

Keywords:national costume, national vision, Muslim costume, Chuvash costume, Tatar costume.

The name of the journal

TURISMO-ESTUDOS E PRATICAS

URL

http://natal.uern.br/periodicos/index.php/RTEP/article/view/207/155

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=230760&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Emanova Yuliana Gennadevna	ru_RU
dc.contributor.author	Emanova Yuliana Gennadevna	ru_RU
dc.contributor.author	Rauzeev Iskander Zinnurovich	ru_RU
dc.contributor.author	Yao Mikhail Konstantinovich	ru_RU
dc.date.accessioned	2019-01-01T00:00:00Z	ru_RU
dc.date.available	2019-01-01T00:00:00Z	ru_RU
dc.date.issued	2019	ru_RU
dc.identifier.citation	Galeeva Zukhra N., Yao Michail K., Emanova Juliana G., SPECIFICITY OF NATIONAL VISION IN COSTUME//TURISMO-ESTUDOS E PRATICAS. - 2019. - №01.- Vol.8, Is.. - pp. 1-7.- URL:http://natal.uern.br/periodicos/index.php/RTEP/issue/view/17	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=230760&p_lang=2	ru_RU
dc.description.abstract	TURISMO-ESTUDOS E PRATICAS	ru_RU
dc.description.abstract	Artistic vision in this article is understood as a means of interpretation through a visual artistic image of a picture of the world, such as culture, mentality. Artistic vision and national costume are closely related concepts. The costume opened the door to the world of aesthetics that existed in a national form. The first images of childhood laid the primary aesthetics of consciousness. The organic correlation of all the elements of the costume fundamentally laid down the idea of harmony, coordination of all elements, as the main aesthetic value. This way formed the logic of aesthetics, i.e. formed a natural taste. The analysis uses the national costume as it was formed by the beginning of the XX century. In this article, we will consider the problem of national artistic vision through a comparative analysis of expressive means in costume, of the territorially neighboring peoples of Russia - the Chuvashs and Tatars. The costume, like other household items, such as furniture, dishes, textiles, has a dual nature - utilitarian and aesthetic. The utilitarian side of the item is related to the climatic conditions of the country where the costume was used. The aesthetic ideal reflected the idea of the «ideal man« in different eras, his inner essence and appearance. The problem of artistic vision in the visual arts is associated with such aspects of art criticism as visual perception, aesthetic perception, artistic thinking, the language of the visual arts, the artistic image in the visual arts, and national art.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Keywords:national costume	ru_RU
dc.subject	national vision	ru_RU
dc.subject	Muslim costume	ru_RU
dc.subject	Chuvash costume	ru_RU
dc.subject	Tatar costume.	ru_RU
dc.title	SPECIFICITY OF NATIONAL VISION IN COSTUME	ru_RU
dc.type	Articles in international journals and collections	ru_RU