KFU. Card publication. MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA

KAZAN
FEDERAL UNIVERSITY

- RUS
- 中文
- ES

MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA

Form of presentation

Articles in international journals and collections

Year of publication

2019

��

��

Authors, employees of KFU

Akbarova Gulnaz Nailevna, author

Dyganova Elena Aleksandrovna, author

Bibliographic description in the original language

Akbarova Gulnaz N., Dyganova Elena A., Khadeeva Elena N., MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA//TURISMO-ESTUDOS E PRATICAS. - 2019. - Vol.2, P.1-6

Annotation

The development of Tatar professional music in the late XX and early XXI centuries is on the way to the revival of traditional Tatar-Muslim art. The “musical restoration” of religious andartistic traditions of the Tatar-Muslim culture, including traditions perceived from Sufism, becomes the artistic and meaningful task of the Tatar composers. A vivid example of this is the work of Masguda Shamsutdinova (1955). The national factor and historical context have a strong influence on the composer's mentality, on his thinking, which is organically reflected in his music.An analysis of art history and composer creativity allowed the article authors to reveal that M. Shamsutdinova embodies his conceptual ideas by combining the traditions of ethnic music with the constructive laws of Western European art.The scientific article presents the results of a musical-theoretical analysis of the oratorio by M. Shamsutdinova “The Tragedy of the Sons of theEarth” on the text of the author's myth of the same name by the Tatar poet and playwright Hadi Taktash (1901-1931), created in the tradition of the genre of ancient tragedy. The authors of the article consistently presented the musical characteristics of 15 parts of the oratorio.The embodiment of the deep philosophical meaning of a literary text in a musical composition using traditional and modern means of the musical language allows us to rank this composition as one of the most significant in the composer's work.

Keywords

Masgud Shamutdinova, Hadi Taktash, ?The Tragedy of the Sons of the Earth?, oratorio, Tatar composer music.

The name of the journal

TURISMO-ESTUDOS E PRATICAS

URL

http://natal.uern.br/periodicos/index.php/RTEP/article/view/285/224

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=221378&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Akbarova Gulnaz Nailevna	ru_RU
dc.contributor.author	Dyganova Elena Aleksandrovna	ru_RU
dc.date.accessioned	2019-01-01T00:00:00Z	ru_RU
dc.date.available	2019-01-01T00:00:00Z	ru_RU
dc.date.issued	2019	ru_RU
dc.identifier.citation	Akbarova Gulnaz N., Dyganova Elena A., Khadeeva Elena N., MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA//TURISMO-ESTUDOS E PRATICAS. - 2019. - Vol.2, P.1-6	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=221378&p_lang=2	ru_RU
dc.description.abstract	TURISMO-ESTUDOS E PRATICAS	ru_RU
dc.description.abstract	The development of Tatar professional music in the late XX and early XXI centuries is on the way to the revival of traditional Tatar-Muslim art. The “musical restoration” of religious andartistic traditions of the Tatar-Muslim culture, including traditions perceived from Sufism, becomes the artistic and meaningful task of the Tatar composers. A vivid example of this is the work of Masguda Shamsutdinova (1955). The national factor and historical context have a strong influence on the composer's mentality, on his thinking, which is organically reflected in his music.An analysis of art history and composer creativity allowed the article authors to reveal that M. Shamsutdinova embodies his conceptual ideas by combining the traditions of ethnic music with the constructive laws of Western European art.The scientific article presents the results of a musical-theoretical analysis of the oratorio by M. Shamsutdinova “The Tragedy of the Sons of theEarth” on the text of the author's myth of the same name by the Tatar poet and playwright Hadi Taktash (1901-1931), created in the tradition of the genre of ancient tragedy. The authors of the article consistently presented the musical characteristics of 15 parts of the oratorio.The embodiment of the deep philosophical meaning of a literary text in a musical composition using traditional and modern means of the musical language allows us to rank this composition as one of the most significant in the composer's work.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Masgud Shamutdinova	ru_RU
dc.subject	Hadi Taktash	ru_RU
dc.subject	?The Tragedy of the Sons of the Earth?	ru_RU
dc.subject	oratorio	ru_RU
dc.subject	Tatar composer music.	ru_RU
dc.title	MUSICAL EMBODIMENT OF THE TRAGEDY OF EARTH'S SONS BY HADI TAKTASH IN THE WORK OF MASGUDA SHAMSUTDINOVA	ru_RU
dc.type	Articles in international journals and collections	ru_RU