KFU. Card publication. Dialogue with another as a form of self-identification of the lyrical Subject of N. Gambar

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FEDERAL UNIVERSITY

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DIALOGUE WITH ANOTHER AS A FORM OF SELF-IDENTIFICATION OF THE LYRICAL SUBJECT OF N. GAMBAR

Form of presentation

Articles in international journals and collections

Year of publication

2018

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Authors, employees of KFU

Amineva Venera Rudalevna, author

Bibliographic description in the original language

Venera R. Amineva. Dialogue with another as a form of self-identification of the lyrical Subject of N. Gambar//Przeglad Wschodnioeuropejski. - 2018. - Vol.9, Is.1. - P.331-341.

Annotation

Lyrics of the Tatar poet N. Gambar was the subject of the research. His creative activity depicted the leading tendencies of the national historic-literary process in the end of �� – beginning of ��I centuries. Intertextuality became one of the Gambar's poetic techniques determining his unique creative manner. The present article considers it as a form of a lyrical subject self identification. The works on intertextuality by Yu. Kristeva, G. Genette, as well as the works by B.O. Korman, S.N. Broitman, which determine the principles of subject sphere organization in the lyrical work, influenced the concept of the carried out research. System and structure-based and context-hermeneutic approaches were applied for the solution of the set objectives. It was determined that the Gambar lyrical subject's self identification as the bearer of the overall generic substance of the mankind, as a representative of a certain ethnos, unique individuality and, finally, as a poet and a demiurge occurs

Keywords

Tatar literature, Russian literature, lyrical subject, identity, dialogue, genre

The name of the journal

Przeglad Wschodnioeuropejski

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85055327164&partnerID=40&md5=d0ef2b9c63bde23f37348f3dc386f5e0

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=192105&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Amineva Venera Rudalevna	ru_RU
dc.date.accessioned	2018-01-01T00:00:00Z	ru_RU
dc.date.available	2018-01-01T00:00:00Z	ru_RU
dc.date.issued	2018	ru_RU
dc.identifier.citation	Venera R. Amineva. Dialogue with another as a form of self-identification of the lyrical Subject of N. Gambar//Przeglad Wschodnioeuropejski. - 2018. - Vol.9, Is.1. - P.331-341.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=192105&p_lang=2	ru_RU
dc.description.abstract	Przeglad Wschodnioeuropejski	ru_RU
dc.description.abstract	Lyrics of the Tatar poet N. Gambar was the subject of the research. His creative activity depicted the leading tendencies of the national historic-literary process in the end of �� – beginning of ��I centuries. Intertextuality became one of the Gambar's poetic techniques determining his unique creative manner. The present article considers it as a form of a lyrical subject self identification. The works on intertextuality by Yu. Kristeva, G. Genette, as well as the works by B.O. Korman, S.N. Broitman, which determine the principles of subject sphere organization in the lyrical work, influenced the concept of the carried out research. System and structure-based and context-hermeneutic approaches were applied for the solution of the set objectives. It was determined that the Gambar lyrical subject's self identification as the bearer of the overall generic substance of the mankind, as a representative of a certain ethnos, unique individuality and, finally, as a poet and a demiurge occurs	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	Tatar literature	ru_RU
dc.subject	Russian literature	ru_RU
dc.subject	lyrical subject	ru_RU
dc.subject	identity	ru_RU
dc.subject	dialogue	ru_RU
dc.subject	genre	ru_RU
dc.title	Dialogue with another as a form of self-identification of the lyrical Subject of N. Gambar	ru_RU
dc.type	Articles in international journals and collections	ru_RU