Form of presentation | Articles in international journals and collections |
Year of publication | 2018 |
Язык | английский |
|
Dyganova Elena Aleksandrovna, author
|
|
Shirieva Nadezhda , author
|
Bibliographic description in the original language |
Shirieva N.V., Dyganova E.A. Ontology of Meaningful Sounds in S. Gubaidulina's Works (based on the choral cycle “Dedication to Marina Tsvetaeva”) / N. V. Shirieva, E.A.Dyganova //Opción, Año 34, No. 85 (2018) - P. 1029-1038. |
Annotation |
The innovative search in the composition of the XX and XXI centuries is
summarized in the rejection of the established musical means (like melody,
harmony, tonality, form, etc.) in favor of other expressive means. Medium
stories often stimulate authors to methods of composition and expression that
are not related to the traditional sound system. This tendency is inherent in the
works of Sofia Gubaidulina. The conceptuality and philosophical content of
his works, the «bivalence« of the composer's style, the innovations in the
sphere of musical language, the aspect of research is justified from the
position of ontology and mythology. |
Keywords |
Gubaidulina, music, mythology, ontology, cosmogony, Cosmos,
Chaos, natural, cultural. |
The name of the journal |
Opción
|
URL |
http://www.produccioncientificaluz.org/index.php/opcion/article/view/24054 |
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=190241&p_lang=2 |
Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Dyganova Elena Aleksandrovna |
ru_RU |
dc.contributor.author |
Shirieva Nadezhda |
ru_RU |
dc.date.accessioned |
2018-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2018-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2018 |
ru_RU |
dc.identifier.citation |
Shirieva N.V., Dyganova E.A. Ontology of Meaningful Sounds in S. Gubaidulina's Works (based on the choral cycle “Dedication to Marina Tsvetaeva”) / N. V. Shirieva, E.A.Dyganova //Opción, Año 34, No. 85 (2018) - P. 1029-1038. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=190241&p_lang=2 |
ru_RU |
dc.description.abstract |
Opción |
ru_RU |
dc.description.abstract |
The innovative search in the composition of the XX and XXI centuries is
summarized in the rejection of the established musical means (like melody,
harmony, tonality, form, etc.) in favor of other expressive means. Medium
stories often stimulate authors to methods of composition and expression that
are not related to the traditional sound system. This tendency is inherent in the
works of Sofia Gubaidulina. The conceptuality and philosophical content of
his works, the «bivalence« of the composer's style, the innovations in the
sphere of musical language, the aspect of research is justified from the
position of ontology and mythology. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Gubaidulina |
ru_RU |
dc.subject |
music |
ru_RU |
dc.subject |
mythology |
ru_RU |
dc.subject |
ontology |
ru_RU |
dc.subject |
cosmogony |
ru_RU |
dc.subject |
Cosmos |
ru_RU |
dc.subject |
Chaos |
ru_RU |
dc.subject |
natural |
ru_RU |
dc.subject |
cultural. |
ru_RU |
dc.title |
Shirieva N.V., Dyganova E.A. Ontology of Meaningful Sounds in S. Gubaidulina's Works (based on the choral cycle “Dedication to Marina Tsvetaeva”) / N. V. Shirieva, E.A.Dyganova //Opción, Año 34, No. 85 (2018) - P. 1029-1038. |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|