Form of presentation | Articles in international journals and collections |
Year of publication | 2017 |
Язык | английский |
|
Lisenko Anzhela Rafizovna, author
Shevchenko Elena Nikolaevna, author
|
Bibliographic description in the original language |
Lisenko Anzhela R., Shevchenko Elena N., THE PERFORMATIVE NATURE OF MODERN THEATER (AS EXEMPLIFIED BY THE PERFORMANCES OF THE 'RIMINI PROTOKOLL' GROUP AND THE PROJECTS OF CHRISTOPH SCHLINGENSIEF)//AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH. - 2017. - Vol.7, Is.2. - P.210-212. |
Annotation |
Аbstract: The authors of the present article appeal to the phenomenon of performative
nature in modern German theatre, which, according to many scholars, is its conceptual
feature today. The article analyzes the theatrical projects of Christoph Shliengesief and
“Rimini Protokoll” group. They are the indicative phenomena of the European stage of
the first ten years of the 20th century. Schliengesief's creative activity is earlier than
Rimini Protokoll's, but their projects have fundamental affinity. Their works have
syncretic nature. The scene of action is not only classical stage but also different sites
of urban environment (museum, street, park, container, the body of the truck).
Alongside with the professional actors, Schliengesief and than Rimini Protokoll will
have invited the amateurs, “the experts of everyday life”, into their stage
performances. This enables to enforce a provocative effect of the performance and to
make a participant spectator look at a raised problem from with |
Keywords |
German literature, theatre, modern German drama, Schlingensief, Rimini
Protokoll, performance, post-dramatic theatre, post-modernism, political theatre. |
The name of the journal |
AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH
|
URL |
http://www.magnanimitas.cz/ADALTA/070202/papers/60.pdf |
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=173841&p_lang=2 |
Full metadata record ![](https://shelly.kpfu.ru/pdf/picture/arrow_black_right.gif) |
Field DC |
Value |
Language |
dc.contributor.author |
Lisenko Anzhela Rafizovna |
ru_RU |
dc.contributor.author |
Shevchenko Elena Nikolaevna |
ru_RU |
dc.date.accessioned |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2017 |
ru_RU |
dc.identifier.citation |
Lisenko Anzhela R., Shevchenko Elena N., THE PERFORMATIVE NATURE OF MODERN THEATER (AS EXEMPLIFIED BY THE PERFORMANCES OF THE 'RIMINI PROTOKOLL' GROUP AND THE PROJECTS OF CHRISTOPH SCHLINGENSIEF)//AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH. - 2017. - Vol.7, Is.2. - P.210-212. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=173841&p_lang=2 |
ru_RU |
dc.description.abstract |
AD ALTA-JOURNAL OF INTERDISCIPLINARY RESEARCH |
ru_RU |
dc.description.abstract |
Аbstract: The authors of the present article appeal to the phenomenon of performative
nature in modern German theatre, which, according to many scholars, is its conceptual
feature today. The article analyzes the theatrical projects of Christoph Shliengesief and
“Rimini Protokoll” group. They are the indicative phenomena of the European stage of
the first ten years of the 20th century. Schliengesief's creative activity is earlier than
Rimini Protokoll's, but their projects have fundamental affinity. Their works have
syncretic nature. The scene of action is not only classical stage but also different sites
of urban environment (museum, street, park, container, the body of the truck).
Alongside with the professional actors, Schliengesief and than Rimini Protokoll will
have invited the amateurs, “the experts of everyday life”, into their stage
performances. This enables to enforce a provocative effect of the performance and to
make a participant spectator look at a raised problem from with |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
German literature |
ru_RU |
dc.subject |
theatre |
ru_RU |
dc.subject |
modern German drama |
ru_RU |
dc.subject |
Schlingensief |
ru_RU |
dc.subject |
Rimini
Protokoll |
ru_RU |
dc.subject |
performance |
ru_RU |
dc.subject |
post-dramatic theatre |
ru_RU |
dc.subject |
post-modernism |
ru_RU |
dc.subject |
political theatre. |
ru_RU |
dc.title |
THE PERFORMATIVE NATURE OF MODERN THEATER (AS EXEMPLIFIED BY THE PERFORMANCES OF THE 'RIMINI PROTOKOLL' GROUP AND THE PROJECTS OF CHRISTOPH SCHLINGENSIEF) |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|