KFU. Card publication. S?awomir Mro?ek at the Tatar stage: The metamorphoses of Polish stage

KAZAN
FEDERAL UNIVERSITY

- RUS
- 中文
- ES

S?AWOMIR MRO?EK AT THE TATAR STAGE: THE METAMORPHOSES OF POLISH STAGE

Form of presentation

Articles in international journals and collections

Year of publication

2017

Язык

английский

Authors, employees of KFU

Mukhametshina Rezeda Failevna, author

Khabutdinova Mileusha Mukhametzyanovna, author

Bibliographic description in the original language

Khabutdinova M, Mukhametshina R., Slawomir Mrogek at the Tatar stage: The metamorphoses of Polish stage//Przeglad Wschodnioeuropejski. - 2017. - Vol.8, Is.2. - P.309-318.

Annotation

The article analyzes the stage interpretation of the play by S. Mrożek on the scene of Tatar theatre. The first night of the play “Shashkan Babay” (“The Crazy Grandfather”) was held on February 10, 2016, on the stage of Karim Tinchurin Drama and Comedy Theater in Kazan. It was the first staging of Sławomir Mrożek's in the Tatar language. The paper summarizes the material on the history of the Mrożek “invasion” into Russia. The specifics of the perception of the Polish text by the translator Shamil Farkhetdinov, the director and stage designer Rashid Zagidullin have been identified. The specificity of the scenic translation of S. Mrożek's play into the Tatar language is revealed. In the analysis of the Tatar translation, cases of complete and incomplete equivalence are analyzed; the character of transformations of the author's intention is disclosed. It is proved that the performance “Shashkan Babay” continues the best traditions of the Polish and Russian theatres.

Keywords

drama, absurd theatre, Sławomir Mrożek, the Tatar theatre, Rashid Zagidullin

The name of the journal

Przeglad Wschodnioeuropejski

URL

https://www.scopus.com/inward/record.uri?eid=2-s2.0-85034455409&partnerID=40&md5=e1afd1e7a89b40e69f60417373a943f0

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=173684&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Mukhametshina Rezeda Failevna	ru_RU
dc.contributor.author	Khabutdinova Mileusha Mukhametzyanovna	ru_RU
dc.date.accessioned	2017-01-01T00:00:00Z	ru_RU
dc.date.available	2017-01-01T00:00:00Z	ru_RU
dc.date.issued	2017	ru_RU
dc.identifier.citation	Khabutdinova M, Mukhametshina R., Slawomir Mrogek at the Tatar stage: The metamorphoses of Polish stage//Przeglad Wschodnioeuropejski. - 2017. - Vol.8, Is.2. - P.309-318.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=173684&p_lang=2	ru_RU
dc.description.abstract	Przeglad Wschodnioeuropejski	ru_RU
dc.description.abstract	The article analyzes the stage interpretation of the play by S. Mrożek on the scene of Tatar theatre. The first night of the play “Shashkan Babay” (“The Crazy Grandfather”) was held on February 10, 2016, on the stage of Karim Tinchurin Drama and Comedy Theater in Kazan. It was the first staging of Sławomir Mrożek's in the Tatar language. The paper summarizes the material on the history of the Mrożek “invasion” into Russia. The specifics of the perception of the Polish text by the translator Shamil Farkhetdinov, the director and stage designer Rashid Zagidullin have been identified. The specificity of the scenic translation of S. Mrożek's play into the Tatar language is revealed. In the analysis of the Tatar translation, cases of complete and incomplete equivalence are analyzed; the character of transformations of the author's intention is disclosed. It is proved that the performance “Shashkan Babay” continues the best traditions of the Polish and Russian theatres.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	drama	ru_RU
dc.subject	absurd theatre	ru_RU
dc.subject	Sławomir Mrożek	ru_RU
dc.subject	the Tatar theatre	ru_RU
dc.subject	Rashid Zagidullin	ru_RU
dc.title	S?awomir Mro?ek at the Tatar stage: The metamorphoses of Polish stage	ru_RU
dc.type	Articles in international journals and collections	ru_RU