Form of presentation | Articles in international journals and collections |
Year of publication | 2017 |
Язык | английский |
|
Dyganova Elena Aleksandrovna, author
|
Bibliographic description in the original language |
Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017 |
Annotation |
Sofia Gubaidulina, a living classic of modern music and one of the most popular composers of our
time, is in constant search of both new timbres and spiritual truths. Born in Kazan (Russia), at the
intersection of Tatar and Russian cultures as well as Islam and Christianity, she was naturally
influenced by all of them, which is best reflected in Gubaidulina's continual interest in the wide
range of expression means offered by Oriental music. This phenomenon led to a wide discussion
among musicologists on a synthesis of Western and Oriental cultural traditions in Gubaidulina's
music. However, Sofia Gubaidulina's music based on the pentatonic scale is one of the most
poorly studied areas in her artistic legacy. |
Keywords |
domra, intertextuality, European, pentatonism, polystylistics, synthesis, Tatar music,
artistic dialogue, ethnic. |
The name of the journal |
Rupkatha Journal on Interdisciplinary Studies in Humanities
|
URL |
http://rupkatha.com/V9/n2/v9n228.pdf |
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=162491&p_lang=2 |
Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Dyganova Elena Aleksandrovna |
ru_RU |
dc.date.accessioned |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2017 |
ru_RU |
dc.identifier.citation |
Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017 |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=162491&p_lang=2 |
ru_RU |
dc.description.abstract |
Rupkatha Journal on Interdisciplinary Studies in Humanities |
ru_RU |
dc.description.abstract |
Sofia Gubaidulina, a living classic of modern music and one of the most popular composers of our
time, is in constant search of both new timbres and spiritual truths. Born in Kazan (Russia), at the
intersection of Tatar and Russian cultures as well as Islam and Christianity, she was naturally
influenced by all of them, which is best reflected in Gubaidulina's continual interest in the wide
range of expression means offered by Oriental music. This phenomenon led to a wide discussion
among musicologists on a synthesis of Western and Oriental cultural traditions in Gubaidulina's
music. However, Sofia Gubaidulina's music based on the pentatonic scale is one of the most
poorly studied areas in her artistic legacy. |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
domra |
ru_RU |
dc.subject |
intertextuality |
ru_RU |
dc.subject |
European |
ru_RU |
dc.subject |
pentatonism |
ru_RU |
dc.subject |
polystylistics |
ru_RU |
dc.subject |
synthesis |
ru_RU |
dc.subject |
Tatar music |
ru_RU |
dc.subject |
artistic dialogue |
ru_RU |
dc.subject |
ethnic. |
ru_RU |
dc.title |
Shirieva N.V., Dyganova E.A. East-West Dialogue in Sophia Gubaidulina's Work “Tatar Folklore Inspirations”: on the Problem of Artistic Bilingualism /N.V.Shirieva, E.A.Dyganova //Rupkatha Journal on Interdisciplinary Studies in Humanities. - Vol. IX.- N 2,PP. 273-281. - 2017 |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|