Form of presentation | Articles in international journals and collections |
Year of publication | 2017 |
Язык | русский |
|
Amineva Venera Rudalevna, author
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Bibliographic description in the original language |
Amineva V.R. Mezhliteraturnyy dialog kak kategoriya teoreticheskoy poetiki (na materiale liriki G.Tukaya i russkikh poetov KhIKh v.) / V.R.Amineva // Mehrsprachigkeit und Multikulturalitӓt in politischen Umbruchphasen im ӧstlichen Europa. – Harrassowitz Verlag. Wiesbaden, 2016. – P. 207-219. |
Annotation |
Mehrsprachigkeit und Multikulturalitӓt in politischen Umbruchphasen im ӧstlichen Europa. |
Keywords |
Russian literature, Tatar literature, dialogue, subject sphere, genre, principles of generalization |
The name of the journal |
Mehrsprachigkeit und Multikulturalitӓt in politischen Umbruchphasen im ӧstlichen Europa.
|
Please use this ID to quote from or refer to the card |
https://repository.kpfu.ru/eng/?p_id=151969&p_lang=2 |
Full metadata record |
Field DC |
Value |
Language |
dc.contributor.author |
Amineva Venera Rudalevna |
ru_RU |
dc.date.accessioned |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.available |
2017-01-01T00:00:00Z |
ru_RU |
dc.date.issued |
2017 |
ru_RU |
dc.identifier.citation |
Аминева В.Р. Межлитературный диалог как категория теоретической поэтики (на материале лирики Г.Тукая и русских поэтов ХIХ в.) / В.Р.Аминева // Mehrsprachigkeit und Multikulturalitӓt in politischen Umbruchphasen im ӧstlichen Europa. – Harrassowitz Verlag. Wiesbaden, 2016. – P. 207-219. |
ru_RU |
dc.identifier.uri |
https://repository.kpfu.ru/eng/?p_id=151969&p_lang=2 |
ru_RU |
dc.description.abstract |
Mehrsprachigkeit und Multikulturalitӓt in politischen Umbruchphasen im ӧstlichen Europa. |
ru_RU |
dc.description.abstract |
On the lyrics by G.Tukay and the Russian poets of the XIX century (A.S.Pushkin, M.Yu.Lermontov, N.A.Nekrasov) the article reveals generative function of interliterary dialogues as a factor under the influence of which there are shifts in esthetic consciousness and changes in culture of art creativity. The poetics, characteristic for traditionalist type of consciousness, in G. Tukay lyrics is transformed under the influence of the new generating art principle which is formed in the poet's creative method in dialogue with the Russian literature of the XIX century. This principle is shown in all very tectonic forms of esthetic object, first of all in the subject sphere of works. In G.Tukay works it is possible to state the birth of different types of the lyrical subject – lyrical «I«, the lyrical hero, the hero of role lyrics, a subject neosinkretizm as result of self-identification of «I«. Lyricism of the new type prepares transition also for the new principles of genre self-determinatio |
ru_RU |
dc.language.iso |
ru |
ru_RU |
dc.subject |
Russian literature |
ru_RU |
dc.subject |
Tatar literature |
ru_RU |
dc.subject |
dialogue |
ru_RU |
dc.subject |
subject sphere |
ru_RU |
dc.subject |
genre |
ru_RU |
dc.subject |
principles of generalization |
ru_RU |
dc.title |
Межлитературный диалог как категория теоретической поэтики (на материале лирики Г.Тукая и русских поэтов ХIХ в.) |
ru_RU |
dc.type |
Articles in international journals and collections |
ru_RU |
|