KFU. Card publication. Verbatim: A new technique in contemporary drama

KAZAN
FEDERAL UNIVERSITY

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VERBATIM: A NEW TECHNIQUE IN CONTEMPORARY DRAMA

Form of presentation

Articles in international journals and collections

Year of publication

2016

Язык

английский

Authors, employees of KFU

Zueva Ekaterina Vladimirovna, author

Konovalova Zhanna Georgievna, author

Shevchenko Elena Nikolaevna, author

Bibliographic description in the original language

Zueva E, Shevchenko E, Konovalova Z., Verbatim: A new technique in contemporary drama//Journal of Language and Literature. - 2016. - Vol.7, Is.2. - P.262-265.

Annotation

This article analyzes verbatim as a new technique in contemporary drama. It gives historical background for developing of verbatim in Russia, and presents a brief review of verbatim pieces in modern Russian theater. Verbatim in Russia created an opportunity to break with classical repertoire theater and traditional means of reflecting the reality. Giving voice to the marginal, verbatim, to certain extent, conducted the mission of social therapy, paving the way to open discussion of the most topical issues. The majority of verbatim texts cannot be reviewed stand-alone without methods of their adaptation. The main generic principle of docudrama is the incorporation of genuine document into the dramatic text in order to substitute fictional a plot by real events. Verbatim plays are often mono-plays or plays with the limited amount of characters. Verbatim aroused indisputable interest and inspired Russian playwrights to create plays of various genres and topics.

Keywords

verbatim, Russian theater, documentary drama, classical repertoire theater

The name of the journal

JOURNAL OF LANGUAGE AND LITERATURE

URL

https://www.scopus.com/inward/record.url?eid=2-s2.0-85003601674&partnerID=40&md5=2cdb90bcc1cb5c6adc05f5423e0193d8

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=149548&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Zueva Ekaterina Vladimirovna	ru_RU
dc.contributor.author	Konovalova Zhanna Georgievna	ru_RU
dc.contributor.author	Shevchenko Elena Nikolaevna	ru_RU
dc.date.accessioned	2016-01-01T00:00:00Z	ru_RU
dc.date.available	2016-01-01T00:00:00Z	ru_RU
dc.date.issued	2016	ru_RU
dc.identifier.citation	Zueva E, Shevchenko E, Konovalova Z., Verbatim: A new technique in contemporary drama//Journal of Language and Literature. - 2016. - Vol.7, Is.2. - P.262-265.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=149548&p_lang=2	ru_RU
dc.description.abstract	JOURNAL OF LANGUAGE AND LITERATURE	ru_RU
dc.description.abstract	This article analyzes verbatim as a new technique in contemporary drama. It gives historical background for developing of verbatim in Russia, and presents a brief review of verbatim pieces in modern Russian theater. Verbatim in Russia created an opportunity to break with classical repertoire theater and traditional means of reflecting the reality. Giving voice to the marginal, verbatim, to certain extent, conducted the mission of social therapy, paving the way to open discussion of the most topical issues. The majority of verbatim texts cannot be reviewed stand-alone without methods of their adaptation. The main generic principle of docudrama is the incorporation of genuine document into the dramatic text in order to substitute fictional a plot by real events. Verbatim plays are often mono-plays or plays with the limited amount of characters. Verbatim aroused indisputable interest and inspired Russian playwrights to create plays of various genres and topics.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	verbatim	ru_RU
dc.subject	Russian theater	ru_RU
dc.subject	documentary drama	ru_RU
dc.subject	classical repertoire theater	ru_RU
dc.title	Verbatim: A new technique in contemporary drama	ru_RU
dc.type	Articles in international journals and collections	ru_RU