KFU. Card publication. Brecht on the Stage of Tatar Theatre

KAZAN
FEDERAL UNIVERSITY

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BRECHT ON THE STAGE OF TATAR THEATRE

Form of presentation

Articles in international journals and collections

Year of publication

2016

Язык

русский

Authors, employees of KFU

Zakirzyanov Alfat Magsumzyanovich, author

Khabutdinova Mileusha Mukhametzyanovna, author

Authors, postgraduates KFU

Nurieva Liliya Failovna, postgraduate kfu

Bibliographic description in the original language

Nurieva Liliya, Khabutdinova Milyausha, Zakirzyanov Alfat B. Brecht on the Stage of Tatar Theatre // International Journal of Humanities and Cultural Studies. -- 2016. - Special Issue March - B.1896-1902

Annotation

INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES

Keywords

German drama, Tatar theater, R. Zagidullin, I. Sakaev, ?Mother Courage?, ?A Respectable Wedding?, ?The Good Person of Szechwan?, reception.

The name of the journal

INTERNATIONAL JOURNAL OF HUMANITIES ANDCULTURAL STUDIES

URL

http://www.ijhcs.com/index.php/ijhcs/index

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=147088&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Zakirzyanov Alfat Magsumzyanovich	ru_RU
dc.contributor.author	Khabutdinova Mileusha Mukhametzyanovna	ru_RU
dc.contributor.author	Nurieva Liliya Failovna	ru_RU
dc.date.accessioned	2016-01-01T00:00:00Z	ru_RU
dc.date.available	2016-01-01T00:00:00Z	ru_RU
dc.date.issued	2016	ru_RU
dc.identifier.citation	Nurieva Liliya, Khabutdinova Milyausha, Zakirzyanov Alfat B. Brecht on the Stage of Tatar Theatre // International Journal of Humanities and Cultural Studies. -- 2016. - Special Issue March - B.1896-1902	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=147088&p_lang=2	ru_RU
dc.description.abstract	INTERNATIONAL JOURNAL OF HUMANITIES ANDCULTURAL STUDIES	ru_RU
dc.description.abstract	INTERNATIONAL JOURNAL OF HUMANITIES AND CULTURAL STUDIES	ru_RU
dc.description.abstract	The article deals with the approaches of Tatar theater to learning the heritage of the German playwright B. Brecht. For a long time it has been thought that the aesthetics of German playwright is alien to Tatar stage. Kazan theaters were interested in Brecht only in the late 1970s. 1973 was the date of reference of creative experiments with Brecht's heritage on Russian stage of Kazan. Tatar theater came to studying German dramatist only three decades later. We are talking about the plays “Mother Courage” (directed by Rachid Zagidullin) (2000), “A Respectable Wedding” (directed by Iskander Sakayev) (2013), “The Good Person of Szechwan” (directed by Iskander Sakayev) (2015). The work reveals the dynamics of this process and the key trends on the basis of comparison of three performances from the repertoire of the Tatar performances. If in 2000 Tatar theater in Kazan considered Brecht's plays through the prism of epic tradition inherent in Tatar folklore, then a decade later in	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	German drama	ru_RU
dc.subject	Tatar theater	ru_RU
dc.subject	R. Zagidullin	ru_RU
dc.subject	I. Sakaev	ru_RU
dc.subject	?Mother Courage?	ru_RU
dc.subject	?A Respectable Wedding?	ru_RU
dc.subject	?The Good Person of Szechwan?	ru_RU
dc.subject	reception.	ru_RU
dc.title	Brecht on the Stage of Tatar Theatre	ru_RU
dc.type	Articles in international journals and collections	ru_RU