KFU. Card publication. N.Shirieva, E. Dyganova ''ALLELUIA'' by Sofia Gubaidulina as a synaesthetic experiment // European Journal of Science and Theology, October 2015, Vol.11, No.5, 207-216.

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N.SHIRIEVA, E. DYGANOVA ''ALLELUIA'' BY SOFIA GUBAIDULINA AS A SYNAESTHETIC EXPERIMENT // EUROPEAN JOURNAL OF SCIENCE AND THEOLOGY, OCTOBER 2015, VOL.11, NO.5, 207-216.

Form of presentation

Articles in international journals and collections

Year of publication

2015

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Authors, employees of KFU

Dyganova Elena Aleksandrovna, author

Bibliographic description in the original language

N.Shirieva, E. Dyganova ''ALLELUIA" by Sofia Gubaidulina as a synaesthetic experiment // European Journal of Science and Theology, October 2015, Vol.11, No.5, 207-216.

Annotation

European Journal of Science and Theology

Keywords

absorption, anaphora, conceptualism, colour form, epiclesis

The name of the journal

European Journal of Science and Theology

Please use this ID to quote from or refer to the card

https://repository.kpfu.ru/eng/?p_id=121895&p_lang=2

Full metadata record

Field DC	Value	Language
dc.contributor.author	Dyganova Elena Aleksandrovna	ru_RU
dc.date.accessioned	2015-01-01T00:00:00Z	ru_RU
dc.date.available	2015-01-01T00:00:00Z	ru_RU
dc.date.issued	2015	ru_RU
dc.identifier.citation	N.Shirieva, E. Dyganova ''ALLELUIA" by Sofia Gubaidulina as a synaesthetic experiment // European Journal of Science and Theology, October 2015, Vol.11, No.5, 207-216.	ru_RU
dc.identifier.uri	https://repository.kpfu.ru/eng/?p_id=121895&p_lang=2	ru_RU
dc.description.abstract	European Journal of Science and Theology	ru_RU
dc.description.abstract	European Journal of Science and Theology	ru_RU
dc.description.abstract	Sofia Gubaidulina is one of the most iconic personalities in modern art, and, as a composer, she has already become a living classic. The multidimensionality of Gubaidulina‟s musical thinking reflects the philosophical depth of both the concepts of her compositions and their musical language. The light‟s part of Alleluia has many times been the object of research for the leading musicologists specialised in Gubaidulina‟s works. However, their research interest has been focused mainly on the rhythmic forms of colours rather than on colour symbolism or the semantics of colour combinations. The existence of the light‟s part as an independent component in Alleluia‟s music texture can be explained within the framework of postmodern conceptual trends, which imply the presence of an idea that defines the concept, content and form of music.	ru_RU
dc.language.iso	ru	ru_RU
dc.subject	absorption	ru_RU
dc.subject	anaphora	ru_RU
dc.subject	conceptualism	ru_RU
dc.subject	colour form	ru_RU
dc.subject	epiclesis	ru_RU
dc.title	N.Shirieva, E. Dyganova ''ALLELUIA'' by Sofia Gubaidulina as a synaesthetic experiment // European Journal of Science and Theology, October 2015, Vol.11, No.5, 207-216.	ru_RU
dc.type	Articles in international journals and collections	ru_RU