V.S. Varakin

M.V. Lomonosov Northern (Arctic) Federal University, Arkhangelsk, 163002 Russia

E-mail: djurnapopuli@gmail.com

Received March 12, 2018

Full text PDF

Abstract

Understanding the life as human presence in journalism has been analyzed using the conceptual apparatus of G. Simmel’s “philosophy of life”. The procedure of understanding is considered as an action of intrusion from within the borders of life into the life. This can be also interpreted as moving over life. It has been shown that journalism destroys the meaning of external zones by creating narratives about them, and these narratives are later transformed into the narratives of life. As journalistic narratives are always about someone, they can be designated as “stories”. Every journalistic story turns out to be such an event of life, which should be defined as an antinomy. Along with other stories, it forms the ramified network of a kind of pauses in narrations of the life itself, or, in other words, the informational series. Considering that the life is unbearably catastrophic, the space of journalistic stories about it has been defined as unbearable as well. The main idea of the paper is that journalism can think, but is actually unable to do it – this feature reveals why journalism produces the seeming knowledge of life.

Keywords: philosophy of life, G. Simmel, understanding of life, intrusion into life, borders of life, catastrophism of life, intellection, journalistic story, journalistic narrative, seeming knowledge

References

  1. Rudnev V.P. Real’nost’ kak oshibka [Reality as a Mistake]. Moscow, Gnozis, 2011. 320 p. (In Russian)
  2. Magrachev L.E. Syuzhety, sochinennye zhizn’yu [Stories Created by Life]. Moscow, Iskusstvo, 1972. 189 p. (In Russian)
  3. Meillassoux Q. Après la finitude: Essai sur la nécessité de la contingence. Broché, 2006. 178 p. (In French)
  4. Žižek S. The Plague of Fantasies. Verso, 1997. 248 p.
  5. Simmel G. Lebensanschauung: vier metaphysische Kapitel. München, Duncker, 1922. 239 S. (In German)
  6. Mikeshina L.A. Filosofiya poznaniya. Polemicheskie glavy [Philosophy of Cognition. Polemical Chapters]. Moscow, Progress-Traditsiya, 2002. 624 p. (In Russian)
  7. Nietzsche F. Der Wille zur Macht. Versuch einer Umwerthung aller Werthe. Leipzig, Naumann, 1901. 541 S. (In German)
  8. Filippov A.F. Rise of the Cartesians: A sociological description of the film “Blade Runner”. In: Fantasticheskoe kino. Epizod pervyi [Fantastic Movie. Episode One]. Moscow, Nov. Lit. Obozr., 2006, pp. 124–152. (In Russian)
  9. Freyer H. Theorie Des Objektiven Geistes. Eine Einleitung in die Kultorphilosophie. Leipzig, B.G. Teubner, 1923. 134 S. (In German)
  10. Žižek S. Cyberspace, or unbearable isolation of being. Iskusstvo Kino, 1998, no. 1. Available at: http://kinoart.ru/archive/1998/01/n1-article25. (In Russian)
  11. Heidegger M. Was Heisst Denken? Tübingen, Niemeyer, 1954. 175 S. (In German)
  12. Heidegger M. What does it mean to think? In: Heidegger M. Razgovor na proselochnoi doroge [Conversation on a Country Road]. Moscow, Vyssh. Shk., 1991, pp. 134–145. (In Russian)
  13. Hegel G.W.F. System der Wissenschaft. Teil 1: Phänomenologie des Geistes. Goebhardt, 1807. 878 S. (In German)
  14. Plato The Phaedrus. In: Plato Sobr. soch. [Collection of Works]. Vol. 2. Moscow, Mysl’, 1993, pp. 135–191. (In Russian)
  15. Trovatten R. “The concept of a Renaissance man is no longer relevant”: George Siemens on the future of knowledge”. Teorii i Praktiki, 2015, Feb. 13. Available at: http://theoryandpractice.ru/ posts/7517-siemens. (In Russian)
  16. Beaukatman S. Artificial infinity. On special effects and sublime. In: Fantasticheskoe kino. Epizod pervyi [Fantastic Movie. Episode One]. Moscow, Nov. Lit. Obozr., 2006, pp. 233–256. (In Russian)
  17. Podoroga V.A. Foreword. In: Posrednik. Massmedia, obshchestvo i kul’tura [Mediator. Mass Media, Society, and Culture]. Moscow, R. Valent, 2016, pp. 5–12. (In Russian)
  18. Genette G. Narrative discourse: An essay in method. In: Genette G. Figures. Cornell Univ. Press, 1983. 285 p.
  19. Bolz N. Das ABC der Medien. Wilhelm Fink, 2007. 163 S. (In German)
  20. Mitasheva M.S., Varakin V.S. Retroactive effect and narrative of television journalism. Transformatsiya sistem SMI v sovremennom mire: Materialy stud. nauch.-prakt. konf. [Transformation of Media Systems in the Modern World: Proc. Stud. Sci.-Pract. Conf.]. Arkhangelsk, SAFU, 2017, pp. 21–27. (In Russian)
  21. Keane J. Democracy and Media Decadence. Cambridge Univ. Press, 2013. 264 p.
  22. McLuhan M. Understanding Media: The Extensions of Man. Routledge, 1987. 359 p.
  23. Botton de A. The News – A User’s Manual. Penguin UK, 2014. 272 p.
  24. Artamonov L. Oleg Aronson: “Today’s cinema is a kind of icon of a secularized world”. Teorii i Praktiki, 2013, Apr. 5. Available at: http://theoryandpractice.ru/posts/6766-aronson. (In Russian)
  25. Frolova Yu. Imprint of light: Martin Scorsese on the language of cinema. Teorii i Praktiki, 2015, March 30. Available at: http://theoryandpractice.ru/posts/7445-martin-skorseze. (In Russian)
  26. Žižek S. Cyberspace, or unbearable isolation of being. Iskusstvo Kino, 1998, no. 2. Available at: http://kinoart.ru/archive/1998/02/n2-article19. (In Russian)
  27. Gleick J. The Information. A History. A Theory. A Flood. HarperCollins UK, 2011, 544 p.

 

For citation: Varakin V.S. The unbearable space of stories: The category of life in journalism. Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki, 2018, vol. 160, no. 4, pp. 860–871. (In Russian)

 

The content is available under the license Creative Commons Attribution 4.0 License.